Tuesday, April 28, 2015

A Drawing That Draws Itself

      
       I used paint trays, ink, rain, and a few other objects to create pieces that would draw on their own. I set the paper flat on the ground outside and placed the ink-filled trays and the other objects on top. As the rain fell it splashed the ink on to the paper, while the trays and objects obstructed the ink, creating shapes of negative space. I set up each in slightly differently. In setting up the first piece, I laid the paper on an area of dirt and set only the tray in the center. The brown patterns on the edges are mud splatters. This one sat in a mostly light rain but was left out for a long time. I think the colors are more subtle in this one than the other because it was out long enough for the splatters to get diluted and disperse. The next two pieces sat on grass and were in a heavier rain for a shorter amount of time which I think is why the splatters are bigger. I also added white ink to the colors to make them more vibrant. The second piece down used a circular sponge and the tray. The second used a roll of masking tape, the same circular tray, plus a rectangular tray. 









Thursday, April 9, 2015

Projection Drawings

Part One
I painted images of rotting animal carcasses and made arrow to puncture through the canvas in order to give it a three-dimensional aspect. These pieces express the ugliness gof killing creatures without utilizing what their bodies have to offer.









Part Two
I decided to find preexisting marks in a stone was and use side walk chalk to give the marks a different meaning or context. 





Thursday, March 26, 2015

Artist Inspiration Series






I chose Wardell Milan as the inspiration for my on-paper series. The subject matter of my series is dancers because Milan often depicts athletes and much of his work shows movement. His flowers inspired the heavy black outlines on some of my figures and the spontanous colors that show the interaction between them. Applying the color loosely yet thoughtfully turned out to be my greatest challenge during the assignment. The figures with shadow in ink were inspired my Milan's boxers and bodybuilers. He uses scratchy and dripping ink effects to create volume, but I decided to use the ink in a more controlled way in order to keep some of my style in the drawings. The almost solid black figures were inspired by a few of Milan's pieces that show white figure cut-outs along side shaded figures in a different position. I thought this techniques showed a time lapse and would be an interesting way to show interactive movement in my dancers. I left much open space on the pages to mimic the way Milan simplifies his backgrounds. In my series I used ink, ink pens, an acrylic paint.  


Wardell Milan's Artwork

 



Series On Paper







Preliminary Work 





Series Off Paper

In my off-paper series I decided to keep with a dance theme. For each of the five sections of the video I combined a selection of moves that demonstrate a different principle or technique of visual art, through performance. In order to help differentiate each section, I have worn a certain sock color for each. The green sock portion shows geometric line through a series of rond de jambe. During these movements the dancer's goal is to create perfectly round motions in the path of the foot and straight lines in much of the movement of the legs. The blue sock section shows organic line through the arms. Though the arms pass through predetermined poses, dancers' arms have more opportunity for variation in line and are never to be held stick-straight like the legs. The steps done in the orange socks demonstrate repetition and pattern. These chosen steps are most always done in a series of repeated patterns at the barre. The next section in which I wear yellow socks shows depth. My traveling movements show how an audience experiences variations in depth on stage, like a viewers experiences it on a flat canvas. The final section with red sock shows vertical line, a basic tool in visual art. I selected these movements to show a progression of how vertical lines are used in ballet, from simple ground work to more challenging jumps. Though some moves show the legs moving in other directions, the ultimate goal of these steps is vertical height and a rigidly upright torso.    


https://youtu.be/2qQaAAoLg7c
















Friday, February 27, 2015

Serial Working Artist Proposal

I have chosen Wardell Milan as the inspiration for the serial working project. The content of his work is mostly flowers and figures. Milan applies pops of spontaneous color to subjects that are put in a plain and colorless setting. He abstracts his subjects by exaggerating colors and human bodily proportions. I appreciate his work for the loose, organic quality of the lines, and his use of selective color. I often try a selective color approach, but end up with a full color drawing. I think it would be a good challenge to practice the restraint that Milan shows, while still keeping the drawing as spontaneous looking as he does. For the content of my drawings I would like the focus to be human figures and dogs. I will show suggestions of a setting around them, but keep the background minimal like Milan does. By using Milan's methods, I will have to carefully plan my color choices so that I don't take it too far and loosen up my typical line drawing methods. Since there is a certain minimalism to Wardell Milan's work I think I can do more than 4 drawings, but human and animal figures can be difficult to draw, which makes 8 drawings sound intimidating. I will shoot for a series of six drawings.



Wardell Milan


 

Line

Passage of Time through Shadows




String Mimicking Spanish Moss





Walking the Line





Continuous Contour Line Drawing